I didn’t know him when I lived in Guyana, but in my years in Toronto I became very close to Terry Ferreira from New Amsterdam who had migrated there.
I came into music at a time when comedy was a big ingredient in the popular music of the Caribbean. It was a salient feature in calypso, particularly in the array of comical songs featuring every year in Trinidad’s carnival, continuing that history of clever humour that came from the artistry of Atilla, Beginner, Spoiler, Roaring Lion, etc.
Our esteemed Kaieteur News pundit Adam Harris, known for his daily fanciful dissertations, has dealt with some intriguing subjects in his time, but I cannot let Brother Adam’s recent comment on persons wearing “dark glasses” pass unchallenged.
This week as the world is agog with the outstanding track performances by Jamaican athletes in the Rio Olympics, it’s interesting to reflect on the remarkable ability of this relatively small nation to produce such a high standard in athletics.
Most people I meet have this impression that the life of a travelling musician – as we say, “on the road” – is one big joyful experience, seeing new cities and countries, playing before ecstatic crowds, doing well financially, meeting famous people, after hours parties, nuff woman and food and drink, as well as the harder stuff, with the pattern repeated more or less every day, on and on.
Like so many Guyanese who have migrated to North America, I have a special place in my heart for Canada as the place where I matured as a person and developed as a song-writer and a band-leader.
Patrons of the current T20 matches in the CPL, whether at the stadiums or via television, are witnessing a non-stop array of diversions – carnival outfits; steelband music; scantily clad dancers; one-handed catches by spectators; individual mask contests; etc – that mostly begin before the first ball has been bowled and often continue long after.
In a recent column I made a passing reference to a comment from Stabroek News writer Alan Fenty who had posed the question in his column whether “one could be Guyanese – spiritually and culturally – without being Indian, African, European or Chinese?” I answered Alan at the time saying the answer is “no, because we are made up of all these strands from other places, plus the Amerindian one, so to be truly Guyanese you have to see all those strands as part of you.” However, I felt at the time that his comment called for more elaboration, hence my effort today.
I keep jottings of various things I come across in communications with persons or in various readings or observations. It’s a practice from years ago, purely as a reminder of ideas, starting in my days in Canada, and it’s often fascinating to go back to those scribblings and to be vividly struck by what was in front of me then compared to now.
This week the Caribbean Premier League (CPL) is back with us as the matches begin at Warner Park in St Kitts, and the second one, with Guyana’s Amazon Warriors meeting the St Kitts and Nevis Patriots, was a thriller.
Like most folks in the cultural field, I’m invited to various events or preludes to events, but since I’m not the most social of folks, I will generally pass.
Guyana’s music industry remains troubling to those of us involved in it, and while the issues surrounding intellectual property rights, including the contentious copyright aspect, are a key part of it, the problems are varied and complex.
I was in Barbados performing some time ago and a young lady interviewed me and asked about my approach to music and to song-writing and arranging and so on.
In the midst of the daily complaints in the media about this problem and that, it’s a relief to sometimes see the bright spots.
Grenada’s Prime Minister Dr Keith Mitchell fired a powerful salvo last week at the West Indies Cricket Board (WICB) in the course of his Frank Worrell Lecture at the UWI Cave Hill Campus in Barbados.