A Minute With: Brett Ratner and the Bollywood film “Kites

LOS ANGELES, (Reuters Life!) – Hollywood director  Brett Ratner has “remixed” the Bollywood romance film “Kites” by  shortening it, changing its music and adding sound effects.

The original version of “Kites” from director Anurag Basu  opened last week, and Ratner’s edited down version of Basu’s film  will open a week later. Ratner previously directed “X-Men: The  Last Stand” and the three “Rush Hour” movies.

Reliance BIG Entertainment, the Indian company behind the  film, hired Ratner to rework “Kites” after it had been shot, in  hopes that his changes would draw a wider audience.

“Kites” is unusual for an Indian-produced film because it is  set in the U.S. and Mexico. A Las Vegas hustler named J (Hrithik  Roshan) falls in love with Mexican immigrant Natasha (Barbara  Mori), who is engaged to Tony, the violent son of a casino  owner. J and Natasha run away from Tony, who wants to kill them  for their forbidden love.

The original version of “Kites” will play on 2,300 screens  worldwide, with most of those in India. Ratner’s “remixed”  American version will open in limited release May 28 on 80  screens, including in New York and Los Angeles.

Ratner spoke to Reuters about the remix and exposing people  in the United States to Bollywod films.

Q: What was it about the movie that you really liked  initially, on first seeing the original version?

A: “What I love is the chemistry between these two stars.  They really have great chemistry and that’s something that you  can’t create. The director didn’t do that, that just happened.  And rarely do you have a movie where two characters work so well  together.”

Q: How is this “remix” of “Kites” that you created different  from the original?

A: “In a Bollywood movie, normally there’s like three or  four different genres and it goes off on tangents and there are  sub-plots. In this movie, I focused on the simple love story and  I drove that all the way through the film.

So there are the  action sequences, if anything I cut the action sequences down.  So you didn’t lose track of the love story, what the theme of  the movie is, which is a forbidden love between two people who  don’t speak the same language.”

Q: Having worked on this film, do you think there are real  opportunities for Bollywood movies to take off in the U.S.?

A: “It’s not that they’ll necessarily take off, but I think  they’re going to be introduced because of ‘Kites’ to a whole new  audience that normally would never see a Bollywood movie.  Because the intention of the movie is not something that I did.  It’s something that the filmmakers did, they wanted to make a  Bollywood movie that had an international appeal to it.

“So it was already inherently in the footage, but they just  needed to go further with it.

And culturally it’s hard to figure  out what that is. It’s like when (Stanley) Kubrick would dub his  movies internationally, he would have a local director direct  the voice-over people. So it makes sense, it’s been done  before.”

Q: What’s your sense of what Reliance, as an Indian  conglomerate, wants to achieve in the United States?

A: “I think, half jokingly, India and China are kind of  taking over the world. I think (Reliance is) a conglomerate and  they want to kind of expand their horizons.”

Q: Do you get the sense that Reliance is trying to learn  from Hollywood and apply those lessons to its own business?

A: “Yeah, like the Western world is too. This is an example  of the globalization of film, where it’s not just Hollywood  movies that are working everywhere in the world. It’s now  Bollywood movies that are kind of working in the U.S.”