Herbie Hancock goes global for “The Imagine Project”

NEW YORK,  (Reuters Life!) – Even after a career  spanning five decades, jazz legend Herbie Hancock shows no signs of slowing down as he releases a new album of world music  with a wide group of collaborators, from sitar player Anoushka  Shankar to pop singer Pink.

“The Imagine Project,” which landed in record stores and on  music websites last week, is the 12-time Grammy Award winner’s  record of duets sung in seven different countries on five  continents that aims to send a message of “peace through global  collaboration,” Hancock said.

“I definitely wanted to make a global record,” said the 70-year-old pianist and composer, who hopes his new project  will help bridge cultural gaps. “In order for it to be truly  global it had to be recorded in different languages, so I tried  to record in as many different countries…as I could.”

He also filmed the project for an accompanying documentary  that shows him working with Pink, India.Arie, Jeff Beck, John  Legend, Chaka Khan, The Chieftains, Wayne Shorter, Dave  Matthews, and Anoushka Shankar.

While the concept and vision for the album were Hancock’s,  he said he was not familiar with all the artists so he relied  on his producer, Larry Klein, who knew the other performers’  songs and lyrics.

“I conceived the idea, did the research, played the music,  but Larry was a huge help in forming a firm foundation even  before we got into the music itself,” Hancock said.

The title track for “The Imagine Project” pairs pop rocker  Pink with soul singer, Seal, and Pink also teams up with R&B  singer John Legend to offer a haunting rendition of Peter  Gabriel’s hit “Don’t Give Up.”

R&B artist India.Arie delivers an uplifting interpretation  of John Lennon’s 1971 ballad, “Imagine” with a festive,  Caribbean-like feel, and bluesy wife-husband duo, Susan  Tedeschi and Derek Trucks, give a spirited, gritty performance  of Joe Cocker’s “Space Captain.”

And James Morrison’s soulful vocals enhance Sam Cooke’s  classic, “A Change Is Gonna Come.”

Hancock said the album is infused with his beliefs in  Buddhism, which he has been practicing since 1974. He said the  songs were about “living in the moment,” and while making the  album around the globe presented significant hurdles,  overcoming those challenges gave Hancock great joy.

“In Buddhism, they say if you try to do something for the  greater good, no question you will run into obstacles. I knew  this record was for the greater good because I ran into some  major challenges,” Hancock said.

“But winning over obstacles is the key to happiness because  hidden beneath an obstacle lies its value and it’s your  responsibility to find what that is. That’s the key,” he added.  “To look at it that way will move your life forward. That’s  true freedom.”

One of the biggest challenges facing his beloved jazz music  is that many of its composers and performers have aged, as has  much of its audience. Yet, Hancock sees a wave of young  musicians getting involved and that keeps him optimistic.

“They’re good and they want to play music. To me, that says  jazz is very much alive and well,” he said.

He said that at this point in his life, he is working hard  to share the secrets of the music he loves with younger  players, and he credits much of his desire to give back to his  former mentor, jazz great Miles Davis.
Hancock, a child prodigy who performed a Mozart concerto  with The Chicago Symphony at age 11, credits Davis for paving  the way for his own career longevity.

He said Davis never told younger musicians what to play,  rather he made them search for their own musical style. In  finding answers to their own questions, the performers learned.

“That’s what a master teacher does,” he said, adding. “I  think he would like this project. I think a lot of people who  played with Miles were deeply touched by the experience of  working with him in a way that’s mystical and indescribable.”