A little known poet with an important place in the history of Jamaican writing

Una Marson

Where Death was Kind

Long had I thought

Of death

And the n they told me

You were dead.

I had seen him

Sitting in the ante-room

Eager to be summoned,

So when I heard

You had received him

I was silent.

 I went to see you

Lying in death’s embrace

I was afraid –

I thought the sight

Would tear my heart

To pieces,

And my anger would rise

Against death the intruder.

 When I looked

Into your lovely face

And saw the sweet peace

That his kiss

Had implanted,

I could not weep,

And I could not be angry.   

 Ah, sweet is death,

And kindly,

To those who suffer

Unbearable agony;

Sweet was death’s kiss

Upon your lips –

Beloved one

To whom

He gave His Peace                                                                                                                                                                                                                                                                                                                          

Una Marson

Una Marson (1905-65) was a Jamaican poet who occupies an important place in the developing years of Jamaican writing, and indeed in West Indian literature without the critical attention to give it justification.  For the range of activities and developments of which she was a part and to which she has contributed she is an under-represented and relatively little known poet.

Marson was a poet, playwright, feminist, political activist, advocate for racial pride and equality, journalist, editor and radio producer. After leaving Hampton High, a girls boarding school in rural Jamaica, she first worked as a stenographer.  She then moved on to her most active years in writing, cultural and political activism between 1928 and 1949 before moving into a ‘dark’ period until 1965.  Generally it seems not a great deal is known about her personal life, and especially after 1949 when reports are conflicting.  But she seemed extremely active travelling back and forth between Jamaica and many other countries including England, USA and Israel.

According to Denise de Caires-Narain, Una Marson did not receive critical attention largely because of gender and politics.  She was a