Of risings and uprisings

            Easter 1916

 

I

I have met them at close of day

Coming with vivid faces

From counter or desk among grey

Eighteenth-century houses.

I have passed with a nod of the head

With polite meaningless words,

Or have lingered awhile and said

Polite meaningless words,

And thought before I had done

Of a mocking tale or a gibe

To please a companion

Around the fire at the club,

Being certain that they and I

But lived where motley is worn:

All changed, changed utterly:

A terrible beauty is born.

[. . .]

III

Hearts with one purpose alone

Through summer and winter, seem

Enchanted to a stone

To trouble the living stream.

The horse that comes from the road,

The rider, the bird that range

From cloud to tumbling cloud,

Minute by minute change.

A shadow of cloud on the stream

Changes minute by minute;

A horse-hoof slides on the brim

And a horse plashes within it

Where long-legged moor-hens dive

And hens to moor-cocks call

Minute by minute they live;

The stone’s in the midst of all.

 

IV

Too long a sacrifice

Can make a stone of the heart

O when may it suffice?

That is heaven’s part, our part

To murmur name upon name

As a mother names her child

When sleep at last has come

On limbs that had run wild.

What is it but nightfall?

No, no, not night, but death.

Was it needless death after all?

For England may keep faith

For all that is done and said.

We know their dream; enough

To know they dreamed and are dead.

And what if excess of love

Bewildered them till they died

I write it out in a verse –

MacDonagh and MacBride

And Connolly and Pearse

Now and in time to be,

Wherever green is worn,

Are changed, changed utterly;

A terrible beauty is born.

 

W B Yeats, from “Easter 1916”

 

 

The best Easter poems are not satisfied with being about Easter. Poets use them to pursue other issues and concerns, or delve so deeply into complex meanings that the poems are merely stimulated by the season and are not even in celebration of it.

There are famous examples of this. Perhaps the best known ‘Easter poem’ in West Indian literature is Mervyn Morris’s dramatic suite “On Holy Week,” which the poet once said during one of his famous readings of it, that he originally started to write it because he had begun to discover that people generally