Akima McPherson

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Articles by Akima McPherson

More thinking out loud, GDPs, and boats

According to the National Assembly of State Arts Agencies (NASAA), the US Bureau of Economic Analysis reported that in 2022 arts and cultural production accounted for US$1,102,084,995,000 or 4.31% of the US economy.

Wine, art, and transformations

Making art cannot be taught. What can be taught are techniques in artmaking; how to use certain media or tools effectively, the right kinds of supports (surfaces on which to paint or draw) depending on media, or procedures for optimal results.

Demerara Dreaming and Blackhead Lyricism, and Racing Thoughts – Fever Dreaming

Field Dreaming Yellow Incursion by Carl E Hazlewood, Acrylic Polymer Emulsion, 10 x 46 inches, 2000 (Photo: Courtesy of the artist – From Demerara Dreaming Triptych Paintings: 1996 – 2003) ____ Pinkskin Blackhead Archer by Carl E Hazlewood, Pigment ink, polyester, acrylic, pastel map pins, colour pencil, Hahnemuhle, and other papers, 51 x 34 inches, 2022.

Where is this painting: Anansi Story?

On Sunday, January 21 in the late afternoon, as Guyana approached the final cooling off of the day, artist Dudley Charles posed a simple question on a social media platform that stirred many: Where is this painting: Anansi Story?

Mazunte – White Stones by Arlington Weithers
(90” x 108”) 2004. (Photo: Courtesy of the artist)

A Christmas Wish List

Christmas is upon us! And there is hope and excitement for the potential granting of the wish lists – in part, but better yet, in full! 

At Eye of the Storm: Circulos Vibrante, artist Carl F Anderson in conversation with David Eichenholtz, Director of the David Richard Gallery, New York NY (Photo Courtesy of Carl Hazlewood)

Eye of the Storm: Circulos Vibrante

As Guyanese at home and abroad awaited Referendum Day in neighbouring Venezuela in varying states of preparedness, concern, and anxiety, Guyana-born New York City-based artist Carl F Anderson (b.

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