Coraline at 10

Ten years ago, Henry Selick’s “Coraline” premiered as the first feature from animated movie studio Laika.

The shallow waters of ‘Serenity’

The title of the thriller/psychodrama/melodrama “Serenity” is a misnomer. The film justifies the title because Serenity is the name of a boat where a great deal of the film’s action is set.

Mind Games in “Glass”

“Glass” recently premiered as the third part of M. Night Shyamalan’s Eastrail 177 Trilogy, which began with 2000’s “Unbreakable” and continued in 2017’s “Split.” “Unbreakable” premiered just on the heels of Shyamalan’s wildly successful “The Sixth Sense,” the critical and commercial peak of his career.

Petty thievery

There is one thing that the new iteration of “Robin Hood” does better than anything I’ve seen this year.

Fighting for identity

When director David Mackenzie’s kinetic, bloody war epic “Outlaw King” landed the prime opening night spot at the Toronto International Film Festival (TIFF) in September, it seemed to signal great things for Netflix and for Mackenzie, whose previous work, “Hell or High Water,” was a critical hit a couple years ago.

Stylish crimes

Steve McQueen’s “Widows” premiered at the Toronto International Film Festival (TIFF) in September as the much-hyped and much-anticipated follow-up to his Oscar winning “12 Years A Slave”, from 2013.

The man on the moon

“First Man,” the new film by Damien Chazelle, begins in space. Neil Armstrong, a NASA test pilot, is flying a rocket plane on a test-run.

An unexpected comedic turn in “Venom”

I walked out of “Venom” with the dopiest smile on my face. It’s slightly disorienting that “Venom,” which in its promotional materials leans in heavily, too heavily, on its dark-action-oriented premise, is least effective when it works at being a superhero/action movie.

2018 Toronto International Film Festival Diary: Religion, homophobia and hope

  By Andrew Kendall in Toronto   At this year’s Toronto International Film Festival, there are two notable scenes from separate films, which seem to be speaking to each other across continents; the Kenyan film “Rafiki” and the American film “Boy Erased.”   In “Boy Erased,” the moment is one the film seems to have been inevitably crawling to.

Faithless worlds

What would it be like to live without faith? The word has clear religious connotations but it’s not explicitly or expressly religious.

The Oscars’ popularity paradox

On Wednesday, media critics were thrown into a frenzy when the Academy of Motion Picture Arts and Sciences Board of Governors announced three key changes to upcoming ceremonies.

Stylish thrills

Above all else, Mission: Impossible – Fallout is an action movie. It has nothing particularly cogent to say about espionage, politics, or human interaction but it has a lot to show in the way of action sequences.

Small World

As far as films of the Marvel Cinematic Universe go, “Ant-Man and the Wasp” and its predecessor are clear outliers.

Hoop nightmares in Uncle Drew

The basketball comedy Uncle Drew rests on the relationship between Lil Rey’s slightly overbearing coach, Dax, and the aging former streetball star, the eponymous Uncle Drew (played by current basketball star Kyrie Irving in heavy prosthetic makeup).

The Hollow Men

The last few minutes of “Sicario: Day of the Soldado” is a single scene that takes place a year after the rest of the film.

A woman is a woman

In “Ocean’s Eight,” an octet of female grifters join together to pull off a major heist and it centres on jewellery and fashion?

Lost at sea in “Adrift”

What is it that draws us to nature-based survival tales? Is it a weird sort of schadenfreude where we find it thrilling to watch someone we do not know experiences things we probably could not face?