The development of Guyanese literature may be studied in four periods: Pre-Colombian, before 1597; Colonial, from 1597 to the end of the nineteenth century; Modern, which includes pre-independence up to 1966; and the Post-Independence from 1966 to the present.
A Visit from Saint Nicholas
‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St.
Sometimes In The Middle Of The Story
(For the drowned Africans of the Middle Passage)
Sometimes in the middle of the story something
move outside the house, like
it could be the wind, but is not the wind
and the story-teller hesitate so slight
you hardly notice it, and the children
hold their breath, and look at one another.
Guyana has advanced considerably on the Caribbean stage, from being a place where everything arrived last after already established in the major countries, to setting trends of its own.
TO TOUSSAINT L’OUVERTURE
TOUSSAINT, the most unhappy of men!
Whether the whistling Rustic tend his plough
Within thy hearing, or thy head be now
Pillowed in some deep dungeon’s earless den; –
O miserable Chieftain!
The Kreative Arts dance establishment has joined a long line of companies, troupes and schools in the production of full dance productions to show off work they have been doing.
Next February, Guyana will celebrate another golden jubilee. February 23, 1970 was the day this country became a republic; February 23, 2020 is the 50th anniversary of that day and of the national festival of Mashramani.
Sita and Jatayu
It was Jatayu who tried to pursue
Rawan to save Sita, his treasured King’s
wife, as she prayed to her Rama to free
her from Rawan’s clutch, squeezing tight her spleenThe Vulture King, Jatayu’s time was due.
Chutney Love
Dem call meh Chutney Love
And if yuh see meh belly roll
Man cyan stop meh on a stage
When de chutney take control
I eh nobody bowjie
No promised doolahin
But when de tassa start to roll up
Beta, dem lyrics yuh have
I done write myself in
Ah could speak a lil Hindi
From meh nani and Indian movie
Dem does lick up meh curry and roti
An, well, meh house does see
Both Eid and Diwali
But dis chutney I does feel it
Curving in all meh wrist an ankle bone
Ah hundred and fifty years we woman singing it
An not in matikor alone
I never yet did leave Trinidad
Since India was left on de boats
So I know dis chutney is real Trini make
National culture like calypso
We did sing it [.
Sonnet 130
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
Being Guyanese Being Guyanese they judge me on the colour of my skin,
For who’s to say, they might have liked me if I were paler, you know – with just a little less melanin.
Creative Writing will again be a major feature when the Institute of Creative Arts (ICA) stages its Sixth Convocation at the National Cultural Centre on the evening of Wednes-day, September 25.
The annual dance theatre production Naya Zamana has grown to become a terrific theatrical experience and a significant social one, based on the occasion, the statements and what the performance wants to say to its audience.