The Guyana Prize’s contribution to literature far surpassed selection of best writer

Some prize winners pose with Prime Minister Moses Nagamootoo in 2015. From left are Subraj Singh, Stanley Niamatali, Maggie Harris, David Dabydeen, Nagamootoo, Barbara Jenkins, Eddie Baugh, and Al Creighton, who represented Harold A Bascom (Stabroek News file photo)

In very recent history Guyana has developed distinct advantages in the field of culture and the arts. Some of these have been the pride (and envy) of the Caribbean, winning praise, respect and international image for the nation. In addition, these advantages have played a valued role in the development of their respective fields in Guyana.

One of these advantages is in the field of drama. (The National Drama Festival was analysed here last week.)  The festival stands out among Caricom nations for its uniqueness and is unprecedented in Guyana for its impact. It has helped Guyana to jump places, to exhibit the best drama at two Carifestas (2015, 2017) and be on par with the best at another (2019); and to have more plays performed in a year’s schedule than all except Jamaica.