The English humorist and writer, Sir A.P. Herbert is well-loved for his realistic series of satirical judgments and absurd legal accounts first set out in “Misleading Cases in the Common Law” which on several occasions were mistakenly reported by several newspapers as entirely factual.
Singing schoolteacher Seadley Joseph so loved books, he became known as the Penguin after the flightless bird symbol of the famous publishing house, winning Trinidad’s coveted Calypso Monarch title with a blistering piece of social commentary, “We Living in Jail.” His 1984 lyrics declared, “Everybody talking ‘bout freedom, but is like everybody blind, If you think we living in freedom, the freedom only in your mind.
We are preparing to leave a lively farmers’ market in the lush, north-eastern hills recently when our daughter rushes up smiling broadly and bearing in both hands a huge, golden present that she excitedly thrusts at me.
I awoke early one morning, with a vague sense of increasing unease, to the sharp, insistent barks of our first, feisty Antiguan Chihuahua mix, faintly audible in the deep gloom below the rumbling rains ramming the galvanised gabled roof.
Under the stars, in the low scrub and up among the vegetation the occasional firefly flashed by, darting in the sweltering darkness as the warm waves rolled in with rare ferocity, crashing along the curving shore of the beautiful bay dotted with small boats and cool caves.
Guyana’s most famous poet Martin Carter wrote the immortal lines “but a mouth is always muzzled, by the food it eats to live” in 1969, and soon after, disillusioned and disgusted by his own short stint in the country’s authoritarian Government he finally resigned, remarking in a Sunday Graphic piece that he wished to live “simply as a poet, remaining with the people.” His single, succinct composition reportedly handed to veteran newsman then the private newspaper’s Chief Political Reporter, Rickey Singh and first published in the November 1970 anonymous article titled “Exit Carter with a poem,” movingly captures the predicament of free speech and paralysis in a time of censorship and what one critic calls a brooding and “somber silence.” Yet “A mouth is always muzzled” resonates across the decades and world’s borders, attaining renewed relevance in a modern technological age that has seen the immediate release of
The long mournful wail of the conch shell would startle us awake on certain cold mornings, as the “Fish Man,” the first of the village peddlers arrived.
As carefree children dancing in the magical moonlight during hot nights of electricity blackouts, we would gaze up in wonder at the full glowing orb and compete to pinpoint the fabled “man on the moon.” This low-lying near side, the Procellarum is covered in craters crammed with dense, dark volcanic material that allowed us to trace the familiar face, and we would momentarily hold our breath barely daring to blink, as we watched for the visage to emerge as the rocky ball rose.
With a slight pebbly surface, diminutive size and deep orange, red and yellow folds, the latest member of horticultural royalty seems to hardly deserve a second glance.
The famous Dutch surrealist Hieronymus Bosch, “the creator of devils,” left behind only a small but genius body of deeply original work crammed with disturbing symbolism.
The touching tableau of six slender bronze statues with their simple ship bundles, envisioned by two of Guyana’s leading artists should have been standing in all of its shining glory a week ago to commemorate the historic May 5 1838 arrival of the first East Indian indentured immigrants.
With patches of rust scattered along the dull maroon waterline, ugly streaks on the small white cabin, and paint flaking off its faded black hull, the fishing trawler seemed a most unremarkable, dingy vessel that for years, slouched low in the open at its mooring, next to the stone walled ruins of the Curacao Trading Company complex.
The Tsimane or Chimane people are an isolated, indigenous tribe who maintain their tough, subsistence traditions in a remote area of Bolivia’s Amazonian lowlands, faithfully foraging and farming in small, rural settlements along the Maniqui River, like their ancient ancestors.
As the April sunshine blazed and the days grew drier, the boisterous north east trade winds swept in from the restless Atlantic and our schools closed with a sigh in a tired haze of dust.
For most of my early Guyana life, suckers were merely the plain, pointed side shoots that perennially popped up in a clump around the pseudostem of the banana and plantain trees which towered in many crowded backyards, providing cool green shade and sweet, filling provision.
As children, we dreaded the regular cathartic “clean-outs” our determined parents deemed necessary for holistic health and harmony.
The Greek classical scholar, Aristophanes of Byzantium, is hailed as the patient father of punctuation for his pioneering efforts to sort out the complex comprehension and proper pronunciation of his native language 2200 years ago.
One fine Sunday evening, three months ago, Sri Lankan carolling churchgoers were stunned into sudden silence when they eagerly picked up their Christmas music sheets at one of the country’s biggest Catholic services, in preparation for reciting a beloved prayer.
Gaping mouths and ghastly sockets scream silently of nothingness, as the phantom heads float high, trailing suckered tentacles in all ghostly white swathes, sardonic symbols of a post-apocalyptic grim world titled “Sailors on an Exotic Isle.” This year’s last minute Carnival creation of genius designer and veteran mas-maker, Peter Minshall, entirely hand-sewn from simple chicken wire, glue and plain cloth, “Spiritus Mundi” is a Latin term that means “Spirit” or “State of the World.”
“Absolute power corrupts absolutely” is the famous quotation used by English Catholic peer John Dalberg-Acton, Lord Acton in an 1887 letter opposing the move to promulgate the doctrine of Papal infallibility.
The Mighty Sparrow complained bitterly “it’s a shame, it’s a shame” in his classic composition “Pay As You Earn (P.A.Y.E)” about the sudden imposition of income tax, lamenting, “but we have we self to blame, because we ask for new Government, now they’re taking every cent, cost of living is the same, it is really a burning shame,” While such expenses today are certainly far above that of 1958 when the double entendre piece was penned,
As a young child, I loved accompanying my stout father, “Mr. Big” to the city sea wall for his regular swim after a long, exhilarating walk along the Fort Groyne, a weathered, narrow concrete erosion barrier bolstered by great granite boulders, jutting out into the ocean like a giant index finger at the far end of breezy Kingston.
Less than a fortnight ago, the new United States leader publicly repeated a startling phrase that had become common enough during his blunt and divisive campaign to reach the White House.