I have made passing reference to it previously in references to migration, but in the midst of learning new things about the country we’ve moved to, we are also often coming to realize, outside, something about the homeland, and one of the latter for me, during my years in Grand Cayman, was the powerful impression visiting Guyanese sports teams left on that country, year after year.
There was a time when air travel for Guyanese didn’t offer many choices, and even jetways were scarce ‒ on my first trip outside, Toronto didn’t have them; it was come off the plane in sub-zero weather and walk to the terminal ‒ in my case, run.
Several years ago, at a Tradewinds night in Orlando for the Guyanese American Cultural Association of Central Florida, I gave a speech on ‘Being Guyanese’ that went around the world online and appeared in the Chronicle here.
Within the first year of my returning to live in Guyana in 2008, I set about recording an album of new material, in the established Tradewinds format, at Krosskolor Studios in Campbellville, using local musicians.
Sometimes in the middle writing column A, I will suddenly be caught by a thought for column B (it happens the same way in writing songs) so that although I admit some weeks it’s a close call, in fact one never runs out of topics.
Again and again in recent months one continuously hears harsh criticisms of Caribbean cricketers who are accused of being money-grabbers and not doing what their predecessors did in “playing for country” without regard for the dollar.
He’s widely known as ‘Reds’ Perreira but his passport name is Joseph, named after his grandfather Joseph Francis Martins, who, in later life, was my father after he married a second time.
I came back to live in Guyana in 2008 with no illusions, no pipe dreams, no blindness to the reality of life here.
A few months ago I’m visiting my radio broadcaster friend Vic Fernandes in Barbados.
My son Tony, who writes for an ad agency in Ottawa, Ontario, is working on a book about Tradewinds, and I have had some interesting exchanges with him on a range of topics that fall under that remit.
In my early days travelling the Caribbean with Tradewinds, my head immersed in music, tourism to me was essentially a somewhat monolithic operation, made up largely of airplanes, hotels, white-sand beaches, and blue water; that’s how it struck me.
From time to time on this ubiquitous internet that parades things before us, one often sees presentations reminding us of aspects of our lives that are no more.
Among a number of vexing matters grinding us in the Caribbean, one of the most vexing is the state of our cricket and, in parallel, the raging controversies about our West Indies Cricket Board (WICB).
In last Sunday’s column “How Come” I wrote about a young man in my family who was travelling as a passenger in a car recently that was hit by a speeding vehicle, driven by someone under the influence, in the kind of lunatic driving that is routine in Guyana.
One of the things I’ve noticed about people in the arts field – writers, painters, architects, etc – is that they are unconventional thinkers so that although they are people who obviously operate vertically, they are also observers, in an almost horizontal manner, of mankind.
It goes back to my youthful West Dem days in the 1950s: with no TV or CDs or Facebook, I found laughter in behaviours around me, in characters I’ve mentioned before, such as ‘Four Foot’ and ‘Big Os’, and the shopkeeper Tony Vieira at my aunts’ shop at Hague Front.
After last week’s column on empty cricket stands at the Queen’s Park Oval, I ended up, as I often do with these writings, in an interesting exchange, in this instance with John Aaron, a Guyanese who lives in New York, and with voices ranging from the man on Irving Street selling coconuts, to the widely dispersed views of Ron Sanders, Ambassador from Antigua to the USA and the OAS.
It’s not something that strikes you if you live in Guyana and don’t travel much, but if you are based outside for some time and then return here permanently, you immediately notice the obvious shortage of systematic approaches, in both government and private sector, many of which impact directly across the society on a daily basis.
This week, amid the turmoil in Guyana over parking meters coming to Georgetown, I ended up, along with Mighty Gabby, on an NCN interview promoting the weekend’s Rupununi Musical Festival event in the city.
From a youth at Saints, I was not the scholarly type. I hated homework, I hardly ever studied, and when I went to the British Council Library I wasn’t boning up on school subjects, I was reading Horatio Hornblower and the erotic stuff I could find nowhere else.