A rather special and different type of dramatic production was held at the National Cultural Centre last Sunday.
A play with a considerable weight of importance and significance was recently staged at the National Cultural Centre.
Ti Jean and His Brothers by Derek Walcott is one of the most celebrated plays in Caribbean drama.
By Alim Hosein Winslow Craig’s work, currently on display at Castellani House, is ample proof of his genius, even though it shows only a part of his many creations.
One of the most significant developments in the theatre in Guyana now is the return of The Link Show.
Last week saw the height of carnival in Trinidad and Tobago: J’ouvert, Ol’ Mas, Carnival Mon-day and the end of the festival on Carnival Tuesday.
The audience at the National Cultural Centre (NCC) was entertained and enlightened by a fairly unique theatrical experience on Saturday, February 2, with “Musings of A Poet” produced and performed by the National Drama Company (NDC) of Guyana.
Pocomania Long Mountain rise, Lift you’ shoulder, blot the moon, Black the stars, hide the skies, Long Mountain, rise, lift you’ shoulder high.
“Musings of A Poet” is a theatrical performance to be staged at the National Cultural Centre on Saturday, February 2 at 8 pm.
My grand-father sailed on the ship Red-riding Hood: part of a straggly band of yellow humanity.
(BBC) – Silver is the shiftiest of colours. It never knows if it’s coming or going.
Journey of The Magi A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter.
The festival of Christmas is an extensive and complex one; the largest and most popular in the world.
The National Dance Company staged its annual production “Christmas Funtasia” a week ago.
Guyana now has an annual National Poetry Slam. This represents not only an entertaining event, but an important development of a popular performance form and a significant recognition of this form as a further addition to national literature.
There is a new film currently in circulation in Guyana, which has already found its way further afield, particularly in the USA, and will no doubt go further.
If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken, and so die.
Electric Avenue Down in the street there is violence And a lot of work to be done No place to hang out our washing And I can’t blame all on the sun, oh no We gonna rock down to Electric Avenue And then we’ll take it higher Oh we gonna rock down to Electric Avenue And then we’ll take it higher Workin’ so hard like a soldier Can’t afford a thing on TV Deep in my heart I’m a warrior Can’t get food for them kids, good God We gonna rock down to Electric Avenue And then we’ll take it higher Oh we gonna rock down to Electric Avenue And then we’ll take it higher Oh no Oh no Oh no Oh no Who is to blame in one country Never can get to the one Dealin’ in multiplication And they still can’t feed everyone, oh no We gonna rock down to Electric Avenue And then we’ll take it higher Oh we gonna rock down to Electric Avenue And then we’ll take it higher Out in the street Out in the street Out in the daytime Out in the night We gonna rock down to Electric Avenue And then we’ll take it higher Oh we gonna rock down to Electric Avenue And then we’ll take it higher Out in the street Out in the street Out in the playground In the dark side of town We gonna rock down to Electric Avenue And then we’ll take it higher Oh we gonna rock down to Electric Avenue And then we’ll take it higher Eddy Grant Edmond Montgomery Grant, more widely known to the world as Eddy Grant, was in the news recently because he was conferred with the degree Doctor of Letters by the University of Guyana at the institution’s 52nd Convocation.
Home These days when I’m away too long, anything I happen to clap eyes on, that red phone box, somehow makes me miss here like nothing I can name.
An interesting, different, very significant and perhaps fairly unusual production was presented on stage at the Theatre Guild Playhouse a week ago.
Dulce et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge.
It may be said that Guyana’s newest feature film was released last week.
arrival this is the place mark its name the streets you must learn to remember there are special songs here they do not sing of you in them you do not exist but to exist you must learn to love them you must believe them when they say there are no sacrificial lambs here the houses are warm there’s bread there’s wine bless yourself you have arrived listen keys rattle locks click doors slam silence roomer here I cower from the day’s drain and glare a shadow a wrinkled skin cover me gently night’s linen prepare me prepare me separate ways stranger in the sunset I long to know you To touch the poem of your presence To dispel this loneliness But the sun darkens And we go our separate ways Arnold Itwaru These selected poems by Guyanese writer and academic Arnold Itwaru make statements about contemporary Guyanese literature and about Itwaru’s contribution to it.
The Guyana Hindu Dharmic Sabha had the distinction of performing its 22nd production of Naya Zamana at the National Cultural Centre on August 25 last.
The Snowflakes Sail Gently Down The snowflakes sail gently down from the misty eye of the sky and fall lightly, lightly on the winter-weary elms.
By Frank Birbalsingh Roy Heath’s oeuvre of nine novels proclaim him as one of the finest Anglophone Caribbean novelists, and certainly one of the best from Guyana, so it is something of a surprise that Ameena Gafoor’s Aftermath of Empire: The Novels of Roy A.K.
The Institute of Creative Arts (ICA) will celebrate its fifth Convocation on Thursday, September 20, 2018.
By Alim Hosein The institution of the Guyana Prize for Literature more than 30 years ago has helped enormously in giving credence to the concept of Guyanese Literature.
Ulysses by the Merlion (For Maurice Baker) I have sailed many waters, Skirted islands of fire, Contended with Circe Who loved the squeal of pigs; Passed Scylla and Charybdis To seven years with Calypso, Heaved in battle against the gods.
“The Performance 10 – Mixed Emotions” is a significant production announced to be presented at the National Cultural Centre on Tuesday, August 28.
Ever since the early development of human civilisation there has always been a very close relationship between religion and theatre, or at least between theatre and spiritual belief and ritual.
Throughout last week there were performances of Ramlila at venues across Guyana. These were done by a performing group from the Ayodhya Research Institute of India, hosted by the Guyana Hindu Dharmic Sabha which took them to the locations in rural communities for four performances: Groeneveldt (Leonora), Yakusari (Black Bush Polder), Tain and Bath.
One of the most dedicated studies of a single author in Guyanese and West Indian literature has recently been released by the UWI Press.
Till Ah Find A Place 2 by Ronald Hollingsworth, directed by Sheron Cadogan-Taylor and recently performed at the National Cultural Centre was the latest in a long series of successful productions by the Hollingsworth-Taylor team.
What is the Commonwealth? This is not a question that will arise very often, or that one might have cause to think about too much.
Acclaimed story-teller and poet Paul Keens-Douglas recently returned to Guyana for a comedy show after several years.
The Theatre Guild of Guyana recently returned to the stage with a production that was very special to the institution.
The most recent revision of the annual comedy series “Nothing to Laugh About” by Signature Productions provided another very good opportunity to do a further study of comedy theatre in Guyana.
O Beautiful Guyana O beautiful Guyana O my lovely native land More dear to me than all the world Thy sea-washed, sun-kissed strand Or down upon the borders Looking down upon the deep The great Atlantic Blown into a fury or asleep At morn, at noon or better In the crimson sunset’s glow I love thee, Oh I love thee.
By Philbert Gajadhar “From Ashes We Rise” is the latest in the series of exhibitions from the University of Guyana’s Creative Arts Division located in the Department of Language and Cultural Studies.
By Alim Hosein Guyana’s National Gallery of Art, Castellani House, celebrates its 25th anniversary this year, having opened to the public on May 24, 1993.
The Guyana Carnival is here. Guyana has now joined other countries in the celebration of carnival, which is both, variously, a long-standing tradition and a new imitative contrivance.
Bans A KillinSo yuh a de man me hear bout! Ah yuh dem seh dah teck Whole heap a English oat seh dat yuh gwine kill dialec!
Around this time in Guyana and the Caribbean, the arrival of peoples of different ethnic and cultural origins is commemorated.
British High Commissioner Greg Quinn honoured the legacy of William Shakespeare, the greatest playwright of all time, with his third Annual Shakespeare Film Night on April 25.
On Friday last, April 20, Chinese Language Day was observed by the United Nations, one of seven such annual observances.
Darren McAlmont’s Woman In Law 2 played at the National Cultural Centre recently.
Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And like the baseless fabric of this vision The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And like this insubstantial pageant faded Leave not a rack behind.
Last Wednesday afternoon, a large procession of Christian worshipers made its way down the main street of New Amsterdam, Berbice.
Shrek – The Musical Jr was on stage last week, being the 2018 annual dramatic production of the Georgetown International Academy.