Till Ah Find A Place 2 by Ronald Hollingsworth, directed by Sheron Cadogan-Taylor and recently performed at the National Cultural Centre was the latest in a long series of successful productions by the Hollingsworth-Taylor team.
O Beautiful Guyana O beautiful Guyana O my lovely native land More dear to me than all the world Thy sea-washed, sun-kissed strand Or down upon the borders Looking down upon the deep The great Atlantic Blown into a fury or asleep At morn, at noon or better In the crimson sunset’s glow I love thee, Oh I love thee.
The Guyana Carnival is here. Guyana has now joined other countries in the celebration of carnival, which is both, variously, a long-standing tradition and a new imitative contrivance.
Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And like the baseless fabric of this vision The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And like this insubstantial pageant faded Leave not a rack behind.
Theatre as investigative therapy, or as healing ritual, was demonstrated last week when the production Omega – the Beginning, directed by Nicose Layne and Rae Wiltshire was staged at the Theatre Guild Playhouse, Kingston.
For Me – The Back-Yard Play your Carnival, play your masque, Dance with your Country Club set, Hop, jump at your midnight fete; For these things I’ll never ask – Take them all and leave for me The back-yard scene at dusk: The haze of blue wood-smoke, Morning mist amid mango leaves And the nancy-story fantasies That the cries of kiskadees From long, long ago evoke.
Today, around the streets of Georgetown, small, straggly groups of youths dressed in motley costumes can be seen prancing about, almost to the rhythms of two or three lazy-looking drummers who stand at the side of the road.
At lunchtime on December 18, 1989, AJ Seymour (AJS) phoned to ask me if I would be very kind and pass for him that afternoon to take him to the Guyana Prize Awards Ceremony at the Cultural Centre.
Arabesque It is very peaceful here With the white clouds drifting And the palm trees lifting Graceful arms to fan the air.
Quiet’s Event I The mountains slowly emerge out of mist and cloud This is the epitome of quiet’s event when the sun warm and filled with distant barking of dogs rises inevitably into the mind rises into the world and exists beyond abstraction beyond any attempt to ignore its objective presence, so that we feel eternally alive.
Guyana’s National Drama Festival (NDF) 2017 has now reached the stage where nominations have been made for the various awards and prizes in the different categories.
It was recently announced that Guyanese-British singer, songwriter, musician and producer Eddy Grant has released a new album titled ‘Plaisance’.
Creative Writing in Guyana has a long history, though the formal and certified training in it is very short.
They Came in Ships They came in ships From far across the seas Britain, colonising the East in India Transporting her chains from Chota Nagpur and the Ganges plain.
At this time in Trinidad and Tobago the festival of Ramlila (called Ramleela there) is very widely celebrated.
A very significant factor in Carifesta is literature. A meaningful study of this regional cultural festival is a lengthy and complex undertaking that will require many revisits, including its treatment and representation of the region’s literature.
Faith is at the core of all religious festivals, but they tend to follow discernible patterns in the way they are practiced.
Carifesta XIII is in progress in Barbados. This edition of the region’s premier festival of the arts has underlined a number of issues affecting the festival and a number of patterns that have formed, indicating trends that have developed.
There is a substantial body of work by a writer who was one of St Lucia’s most outstanding dramatists and who was quite dominant among West Indian playwrights throughout the 1960s into the 1970s.
August Town Up from the valley one night came a bass-sound darkness and a treble of light.
Theatre has been a staple product in Carifesta throughout its history. Dramatic plays were once at the pinnacle of the festival with productions from different countries featured as the signature events of successive editions of the festival.