Most people I meet have this impression that the life of a travelling musician – as we say, “on the road” – is one big joyful experience, seeing new cities and countries, playing before ecstatic crowds, doing well financially, meeting famous people, after hours parties, nuff woman and food and drink, as well as the harder stuff, with the pattern repeated more or less every day, on and on.
Like so many Guyanese who have migrated to North America, I have a special place in my heart for Canada as the place where I matured as a person and developed as a song-writer and a band-leader.
Patrons of the current T20 matches in the CPL, whether at the stadiums or via television, are witnessing a non-stop array of diversions – carnival outfits; steelband music; scantily clad dancers; one-handed catches by spectators; individual mask contests; etc – that mostly begin before the first ball has been bowled and often continue long after.
In a recent column I made a passing reference to a comment from Stabroek News writer Alan Fenty who had posed the question in his column whether “one could be Guyanese – spiritually and culturally – without being Indian, African, European or Chinese?” I answered Alan at the time saying the answer is “no, because we are made up of all these strands from other places, plus the Amerindian one, so to be truly Guyanese you have to see all those strands as part of you.” However, I felt at the time that his comment called for more elaboration, hence my effort today.
I keep jottings of various things I come across in communications with persons or in various readings or observations. It’s a practice from years ago, purely as a reminder of ideas, starting in my days in Canada, and it’s often fascinating to go back to those scribblings and to be vividly struck by what was in front of me then compared to now.
This week the Caribbean Premier League (CPL) is back with us as the matches begin at Warner Park in St Kitts, and the second one, with Guyana’s Amazon Warriors meeting the St Kitts and Nevis Patriots, was a thriller.
Like most folks in the cultural field, I’m invited to various events or preludes to events, but since I’m not the most social of folks, I will generally pass.
Guyana’s music industry remains troubling to those of us involved in it, and while the issues surrounding intellectual property rights, including the contentious copyright aspect, are a key part of it, the problems are varied and complex.
I was in Barbados performing some time ago and a young lady interviewed me and asked about my approach to music and to song-writing and arranging and so on.
In the midst of the daily complaints in the media about this problem and that, it’s a relief to sometimes see the bright spots.
Grenada’s Prime Minister Dr Keith Mitchell fired a powerful salvo last week at the West Indies Cricket Board (WICB) in the course of his Frank Worrell Lecture at the UWI Cave Hill Campus in Barbados.
From time to time in our local press, we are reminded of the rich diverse strains that make up what we refer to as Guyanese culture, and in most of those reminders we are asked to rightly reflect on the fact that right alongside that attractive span we see the disturbing signs of ethnic division among our people.
Here’s a coincidence: in 2016, as Guyana reaches 50 years as an independent country, the Tradewinds band is also 50 years old.
It’s the middle of the day on Alexander Street in Kitty; as I’m walking across the road a voice calls out from one of the parked cards I’ve just passed; “Dave.” I turn trying to identify which car it came from.
It happens sometimes that a singular occurrence, or a passage in something one reads, can open your mind to something that passed unnoticed before and you suddenly recognize multiple examples replicating that first light coming on.